JEANETTE BENETT LUCHESE
  • Home
  • Painting
    • 2025 Playing with Sennelier Oil Pastels
    • 2025 Making the Unknown known
    • 2024 The Process informs Me
    • 2023 Beyond the depths
    • 2022 The Rising
    • 2020 Passion and Pretense
    • 2020 Memoria
    • 2018
    • 2017
    • 2016
    • 2015
    • Series - Thinking Yellow
    • Series - Sensing Grey
    • 2014 - 2010
  • Sculpture
    • 2024 Winds West
    • 2022-23
    • 2019
    • 2018 — Barrie Art Award
    • 2018 — A Continuous Line
    • 2015 -2010
    • Recreating Reality Series
    • 2010-12 BlueWater International
  • Printmaking
    • 2021 - and continues
    • 2020 - The Conversation Continues
    • 2019 - Surviving Death
    • 2019 - Memories
    • 2018 — Steamroller
    • 2017
    • Up to 2016
  • Drawing
    • 2023 Weird and Wonderful Drawings
  • Happenings
    • 2021 -2020 Art Talks
    • 2021 -20 Not Even The Poets
    • 2020 - 18 2nd Round Truth and Reconciliation
    • 2019 #ISDAY Innisfil
    • 2018 Focus and the Fray Solo Exhibition
    • 2019 - 15 Truth and Reconciliation - Call to Action #83
    • Sound - Classwar Karaoke UK
    • 2017 VideoArt Loop Italy
    • 2014, 15, 16 Exhibitions Videos
  • Reviews
    • 2024 Ted Fullerton Essay The Process Informs Me
    • 2024 Renata McGinn: Stories Within
    • 2018 Forcus and the Fray
    • 2016 Matera, Italy
    • 2015 Déjà Vu 2015
    • 2014 Visual Syntax
    • 2014 Award of Creativity
    • 2008 The Rabbit Hole
  • About
    • Statement - Bio
    • CV - Exhibitions and more...
    • CV - Education, Awards, more...
    • Public Art, Events, Projects
  • NEWS
  • Contact

The Blue Water International Sculpture Exhibit - 2010 - 2012

Picture
Curator: John Sauvé — Location: Port Huron, Marine City, St. Clair, Lexington, and Sarnia.
"What day is it?" is located in front of Ben's Fine Furniture on Huron Avenue in Port Huron, Michigan, U.S.
"Unconditional Love" installed in the City of Sarnia, Ontario,  Canada

My sculptural work reflects a predisposition to mark making and in this case the result can be seen as a metaphor, symbolically transforming  the “strength of steel” to what appears to be frail and organic, a statement to the fragility and inner strength of humanity. 
“What day is it?” bringing to light the need to question, stop time, in some cases folding it to find and redirect ourselves. “What Day is it?” is located in Port Huron, Michigan US, for the next two years as part the Blue Water International Exhibit, I am honoured to be part of this wonderful exhibition and plan on visiting often. The sculpture speaks on a sensory level with a direct correlation to the persona and the theoretical state of flux between the ego and shadow: good verse bad, the constant struggle that is human condition. 
"Unconditional Love" stands 6 feet tall, installed in the City of Sarnia, Ont., Canada
A symbolic reminder that children see the world differently than adults do. A child enjoys a world of wonder, life is full of discovery, and their love is given unconditionally.  Through the eyes of a child we find a world of no prejudice, their is no question of beauty, or ugliness, there is only difference, and all is accepted openly and with joy, best seen through a child’s unconditional love for their parent(s).
It is my hope that “Unconditional Love” will in some way remind us to look past what is seen, to look differently and perhaps embrace life with a “childlike” acceptance, and have the courage as a child to live a life open to discovery and learning...they are great teachers if we only could “listen”.
Unconditional Love, is dedicated to the memory of Canadian sculptor Jean Horne who 15 years ago gave me a piece of steel to inspire and remind me to full fill my dreams.
Picture


All material inclusive of images of art and what is deemed sound art on this  site are Copyright © Jeanette Luchese 2018
​ All Rights Reserved. Protected by Canadian Copyright Laws and may not be reproduced without permission.
This is a weebly hosted site for their Privacy Policy click here 
https://www.weebly.com/ca/privacy​

  • Home
  • Painting
    • 2025 Playing with Sennelier Oil Pastels
    • 2025 Making the Unknown known
    • 2024 The Process informs Me
    • 2023 Beyond the depths
    • 2022 The Rising
    • 2020 Passion and Pretense
    • 2020 Memoria
    • 2018
    • 2017
    • 2016
    • 2015
    • Series - Thinking Yellow
    • Series - Sensing Grey
    • 2014 - 2010
  • Sculpture
    • 2024 Winds West
    • 2022-23
    • 2019
    • 2018 — Barrie Art Award
    • 2018 — A Continuous Line
    • 2015 -2010
    • Recreating Reality Series
    • 2010-12 BlueWater International
  • Printmaking
    • 2021 - and continues
    • 2020 - The Conversation Continues
    • 2019 - Surviving Death
    • 2019 - Memories
    • 2018 — Steamroller
    • 2017
    • Up to 2016
  • Drawing
    • 2023 Weird and Wonderful Drawings
  • Happenings
    • 2021 -2020 Art Talks
    • 2021 -20 Not Even The Poets
    • 2020 - 18 2nd Round Truth and Reconciliation
    • 2019 #ISDAY Innisfil
    • 2018 Focus and the Fray Solo Exhibition
    • 2019 - 15 Truth and Reconciliation - Call to Action #83
    • Sound - Classwar Karaoke UK
    • 2017 VideoArt Loop Italy
    • 2014, 15, 16 Exhibitions Videos
  • Reviews
    • 2024 Ted Fullerton Essay The Process Informs Me
    • 2024 Renata McGinn: Stories Within
    • 2018 Forcus and the Fray
    • 2016 Matera, Italy
    • 2015 Déjà Vu 2015
    • 2014 Visual Syntax
    • 2014 Award of Creativity
    • 2008 The Rabbit Hole
  • About
    • Statement - Bio
    • CV - Exhibitions and more...
    • CV - Education, Awards, more...
    • Public Art, Events, Projects
  • NEWS
  • Contact